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(Source: zbags)

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(Source: zbags)

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euxinova:

27a.

euxinova:

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dnuuk:

lesanteamour:

reachformynutzack:

mad42o:

danielaxdgarcia:

O.o

Amazing tranzformation!!

Has science gone TOO far?!?!

Transformaciones

Wicked!

dnuuk:

lesanteamour:

reachformynutzack:

mad42o:

danielaxdgarcia:

O.o

Amazing tranzformation!!

Has science gone TOO far?!?!

Transformaciones

Wicked!

Text

I hate it when my apartment has a mouse problem but the traps only catch donuts and jellyfish. If I wanted your candy, I’d build an impenetrable fortress out of insect opinions. Twelve 0.05 millimeter-tall Pancho Villa clones would have to spend their entire lives breakdancing to bring one tardigrade to orgasm. There are secretly edible action figures that beg children to dismember and eat them one week after purchase, and if you are bitten by one, your seventh son will at full moons become a wax figurine, invisible to all but capable of laughter. Do you spay and neuter your grotesques? Please engineer a species of enormous firefly that curls up and becomes a biodegradable lantern upon dying. I love it when ravenous harp seal pups are unable to evacuate their bowels yet desire to eat my flesh all the same. The pet snack underground is teeming with extreme & uncompromising treats for your pooch. "I AM FUN! I AM FUN!" screamed the person, waving limbs around wildly and destroying property in protest of those Welsh Corgis that bark incessantly, shave their own fur off and wear other people’s lipstick. For some reason, people named Vurenzuloproxximatique have never been nice to me.

(Source: zbags)

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fridaynitegarageparty:

thimbleofwine:

zbags. always rocking.

I’d rather be doing this right now

fridaynitegarageparty:

thimbleofwine:

zbags. always rocking.

I’d rather be doing this right now

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27.
THE THIRD ITEM INSPECTED: A BUST OF A WOMAN WITH AN ARTICULATED MOUTH AND MOVING GLASS EYES, POSITIONED IN FRONT OF A PANORAMA OF THE EUXINOVAN COASTLINE PAINTED ON A SPOOLED LINEN SCROLL.
WILFRED.    I recognize this exhibit from the Exposition. It runs hourly at the Central Pavilion — but there, a man beside the display delineates the visual tour, and no bust such as this is involved. It seems designed to mouth the narration like a puppet.
AULDOMOUCHE.    Its style and construction leave no doubt that it’s of the same manufacture as the automated sculptures found in the Parc d’Urongelex. Surely the noted entrepreneur Visculorph d’Urongelex wishes to expand the presence of these devices — and he has married into the financial means to accomplish this — yet I’ve noticed they are not readily embraced by the public outside of their pastoral-satirical sphere.
The characters all derive from Euxinovan myths and theatrical traditions, dating back at least to the Romans. (This figure is clearly no exception and Ovarind would have been able to tell us more about it.) Most seem obscure, unfamiliar to common audiences, and this might result in a slight sense of unease in the average spectator. I believe that of the dioramas operated by d’Urongelex in Ellubecque’s Paysage de Beau Monde, only the exhibit “Thriampa Revealed” (which is forbidden to children) features automatons.
It is mystifying that he would store such items here — here of all places. And what dealings would he have with The Society of the Iron Frond?

THE THIRD ITEM INSPECTED: A BUST OF A WOMAN WITH AN ARTICULATED MOUTH AND MOVING GLASS EYES, POSITIONED IN FRONT OF A PANORAMA OF THE EUXINOVAN COASTLINE PAINTED ON A SPOOLED LINEN SCROLL.

WILFRED.    I recognize this exhibit from the Exposition. It runs hourly at the Central Pavilion — but there, a man beside the display delineates the visual tour, and no bust such as this is involved. It seems designed to mouth the narration like a puppet.

AULDOMOUCHE.    Its style and construction leave no doubt that it’s of the same manufacture as the automated sculptures found in the Parc d’Urongelex. Surely the noted entrepreneur Visculorph d’Urongelex wishes to expand the presence of these devices — and he has married into the financial means to accomplish this — yet I’ve noticed they are not readily embraced by the public outside of their pastoral-satirical sphere.

The characters all derive from Euxinovan myths and theatrical traditions, dating back at least to the Romans. (This figure is clearly no exception and Ovarind would have been able to tell us more about it.) Most seem obscure, unfamiliar to common audiences, and this might result in a slight sense of unease in the average spectator. I believe that of the dioramas operated by d’Urongelex in Ellubecque’s Paysage de Beau Monde, only the exhibit “Thriampa Revealed” (which is forbidden to children) features automatons.

It is mystifying that he would store such items here — here of all places. And what dealings would he have with The Society of the Iron Frond?

(Source: euxinova.com, via euxinova)

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noirefrost:

zbags:

Seven Again by Colin Raff
Now at 2mb for clarified buggery

I think those dice might be loaded

noirefrost:

zbags:

Seven Again by Colin Raff

Now at 2mb for clarified buggery

I think those dice might be loaded

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jaimegandarilla:

je ne comprends pas

jaimegandarilla:

je ne comprends pas

(Source: zbags)

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darkbrainmatter:

http://www.tumblr.com/tagged/Colin-Raff
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(Source: zbags)

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alejales:

Son exquisitos! @zestybagatelles 

alejales:

Son exquisitos! @zestybagatelles 

(via alejales-deactivated20140819)

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particularj:

marcedith:

….Colin Raff…..

They’re all dead inside.

particularj:

marcedith:

….Colin Raff…..

They’re all dead inside.

Photoset

ZBags + art.is.anal + ZBags

(Source: zbags)